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Monday, 11 August 2008
Stitching with hair
Foundling Hospital, London. Early 19th Century

Annie Parker. Circa 1880


Back in 1997 I was fortunate enough to visit the exhibit of British and Historic Embroideries 1590-1880 held at Whitney Antiques in Whitney Oxon. Amongst the samplers on display were two that stood out for me and these were the two that were stitched with hair! 

The first picture above was worked in hair on fine cotton and finished as a small pillow - 9" x 8 1/2". 

The London Foundling Hospital was established in 1742 by Captain Thomas Coram, a master mariner and philanthropist. He found himself shocked at the sight of so many children and infants abandoned by their parents in the streets of London that after persuading some ladies of nobility to assist him he set up the Foundling Hospital.

Admittance worked on a first come first served basis but as the number of infants increased a ballot system was set up. A mother intending to leave her infant at the Hospital has to draw a coloured  ball from a bag to decide it's fate. Black - mother and child were turned away. Red - the child went on a waiting list. White - the child was accepted. Only the first born of an unmarried mother could be admitted and this child has to be under twelve months old and deserted by it's father. The mother had to have been of 'good repute' before 'her fall'.

Accepted infants were sent to foster parents until the age of 4 or 5 after which they were returned to the Hospital where they were educated. At the age of 14 boys were apprenticed or joined the army whilst the girls were trained for domestic service. 

The second picture shows a sampler again worked in hair and stitched by Annie Parker. There are two other examples of her work; a pincushion in the Black Museum of Scotland Yard and a sampler in the collection of H M Prison Service in Newbold Revel near Rugby. 

Annie Parker was well educated but could not refuse an intoxicating drink and was before the magistrates charged with drunkenness over 400 times and therefore spent a great deal of time in prison. She died in 1885 of consumption. She had a luxuriant head of hair and whilst in prison worked a number of samplers as gifts. The pictured sampler was presented by Annie to Dr Dixon on the morning of her death.

Full credit for the photos and information to Whitney Antiques.

After seeing these samplers and having fairly long hair myself I just had to have a go so, after washing and drying my hair, I pulled some out and stitched a tiny alphabet. It was not easy to work with my hair as it's quite thick and springy. I have searched to see if I can find this small piece of work but we have moved house since then and I cannot locate it at present but I will keep up with the search and hopefully will be able to show you my effort of stitching with hair! 

Thank you for all your kind words for my ailing back. It's a lot better today although I still get the occasional twinge.

On the stitching front, I have been working on Ms Hannah and I will show an update shortly. I have also been crafting some more personalized thread drops. 

Thanks for visiting
Take care   

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Wednesday, 16 January 2008
Loara Standish and Elizabeth Kensington Samplers


This is the Loara Standish Sampler which I referred to in my post yesterday. I had forgotten how lovely it is and how much I enjoyed stitching it at the time. I cannot remember when I started it or why I gave up stitching it but it was probably because it needs a lot of concentration with all the double running stitches. Anyway, now that I have re-discovered it I am going to make a start on it and maybe put it in a rotation.   It is stitched on 36ct  hand dyed linen with silk floss.  OMG I have just found a working copy of the first part of the chart and written on it is 29.01.1999!!  That must have been my start date so I am going to set myself a target finish date of 29.01.2009 - 10 years for one sampler - that really will be a record for me!! LOL 

 

This sampler is the antique one that was stored with the Loara one.  This was stitched, as you can see, by Elizabeth Kensington, aged 9 years, in 1843! It's in a fairly good condition with only a couple of tiny holes which I hope will not be too noticeable when backed with raw linen and framed but even if they do show what the heck, the piece is 165 years old and I doubt I would look that good at that age!  

I will be making the draw for the scissor fob later today and will post the winner tomorrow.

Thanks for visiting
Take care
Carol



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